So, here’s my conundrum. I’ve noticed a lot of local Independent filmmakers want to make cheap movies and somehow make money on streaming networks. So, do I invest my time in those types of films or should I invest in trying to write screenplays that are well written but bigger budget and go the contest route?
Great question.
Personally, I believe in starting small and growing big. Developing not just your skill but your reputation as a writer with local filmmakers. Work begets work. If you build a network around you with a good reputation as a writer who is great to work with then you will find more opportunities for yourself. Typically filmmakers like to stick to the same crew especially if they develop a great relationship with them. This can lead to your name being passed around as the 'go to' person. Which is a great feeling.
All of that being said...
I truly believe you should write whatever story that is original and unique to your own voice. Whether that be a big-budget blockbuster or a single-location low-budget indie drama.
Writing and producing indie films and getting them onto streamers is definitely one approach. However, finding distribution gets progressively difficult as streamers begin creating more and more of their own content. On the flip side writing a big-budget script and doing the contest route is also an option. But again we are talking about a small chance that placing even in the biggest of contests can move the needle for you.
In the end, this truly does come down to your own approach from starting small to swinging for the fences. You can find wild successes and failures of any and all types.
For example, some writers are spec-heavy writers. They churn out several scripts a year that they pitch to producers and studios hoping to get heat behind something. Other writers like myself build a network around them and create a reputation that draws in work. They work exclusively on assignments.
Another path I can suggest for spec work is to treat it like a business. Who is your market? This doesn't just mean audience. But also who is the producer, director, or studio you are writing this for? This is important. Once you know that then you write the script and gear it toward them. Whatever you write must be exceptional though. After that it comes down to querying, pitching, or using your network to get it out there in a targetted approach. Not scattershot
Wow! Thanks for the well thought out response. Much appreciated. ❤️
