Thank both of you. You got me looking at this screenplay in terms of what it is really about, thematically. It's gotten me to focus more on the dead girl's mother as someone who is grieving over the loss of her child and how grief can sometimes drive people to behave irrationally. In a sense she is very much like the little girl, Laurie, who receives the doll as a gift. Laurie has just moved to a new neighborhood and attends a new school where she doesn't know anyone. She misses her old friends much in the same way that the dead girl's mother misses her daughter. It is the doll itself that links them together. Thank you for helping me to look at my writing in this way. It does help me to structure the story and to fill in missing pieces. I had read Christopher Vogler's work in the past but I found it way too verbose. Your book simplifies the process and makes it easier to adapt my writing to a relatively standard structure and outline. I have not rewritten the logline yet because I have been working on the screenplay itself A LOT for the past few weeks. I am trying to have it ready to submit to a screenplay competition at the end of the month. The name of it escapes me but it is on Coverfly and one of the judges is Mike Flanagan whose work I generally admire.